Education
| 2006 - 2008 |
Slade School of Fine Art, University College London, MA Fine Art |
| 2002 - 2006 |
University of Leeds BA (Hons) Fine Art |
| 2001 - 2002 |
Gloucestershire College of Art & Design BTEC Foundation Studies in Art & Design |
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Selected Group Exhibitions |
| 2010 |
痕迹 (Trace), Sanhe Museum, Hangzhou, CN |
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Cage Mix, BALTIC Centre for Contemporary Art, Gateshead, UK |
| 2009 |
Notes on a Return, Laing Art Gallery, Newcastle upon Tyne. UK |
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Giatrokou 28..., REMAP 2, parallel to the 2nd Athens Biennale, Athens, GR |
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Interplay, Bury St Edmunds Art Gallery, Suffolk, UK |
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Fair Play by Foul Means, Sycharth Gallery, Glyndwr University, Wrexham, UK |
| 2008 |
Illumination, Interval at the Servicepoint Building, Manchester, UK |
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Postgraduate Printmaking in London, Clifford Chance, London, UK |
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Shot/Countershot, Chelsea College of Art and Design, London, UK |
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Taenu (Trace), tactileBOSCH, Cardiff, Cardiff, UK |
| 2007 |
Trace, Stoltzestrasse 11, Frankfurt, DE |
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Selected Performances and Screenings |
| Forthcoming... |
‘The Taos Hum’, Performance/Screening, Be Glad for the Song..., Wysing Arts Centre, Cambridge, UK |
| 2010 |
‘Treatise’, performed by the artist and members of the public, Soundwaves Festival 2010, Brighton, UK |
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‘Aria’, performed by Linda Hirst and BlahBlahBlah, BALTIC Gallery, Gateshead, UK |
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‘Penumbra’, performed by L. Lapelyte and A. Oliver for Scratch Nights, Milton Keynes Gallery, UK |
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A Hot Potato on a Dark Background, with Bruce Mclean, TESTBED1, London. UK |
| 2009 |
Rob Pruitt’s Flea Market, Tate Modern Live, Turbine Hall Bridge, Tate Modern, London, UK |
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The View from Here, sound work for Radio Drama, BBC World Service, International Broadcast |
| 2008 |
Rhizome for Choir, performed by EXAUDI and members of the public for the
BIG DRAW National Launch at Wellcome Trust, London, UK |
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'Tube Lines', screened as part of Brilliant Noise, for Late at Tate, Tate Britain, London, UK |
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'Arco', performed by Arco Collective, Sonic Arts EXPO, The Basement, Brighton, UK |
| 2007 |
'Round', performed by the artist for (re)stage, Garage Theatre, Gordon Street, London, UK |
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'Rhizome for Choir', performed by singers from the Royal College of Music for Image Music Text (Turtle), Slade Research Centre, Woburn Square, London, UK |
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Public Collections |
Manchester Metropolitan University Special Collections, Tate Library Collection, University College London Special Collections
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| University of Leeds Special Collections, V&A Collection, York College Artists’ Book Collection |
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Awards and Residencies |
| Forthcoming... |
Anna Mahler Fellowship, Spoleto, IT (September 2010) |
| 2009 |
Artist in residence, Process New Music and Arts Festival, Vilnius, LT |
| 2008 - 2009 |
Honorary Research Assistant in Sound, Slade School of Fine Art, University College London, UK |
| 2008 |
Dolbey Travel Scholarship, Slade School of Fine Art, University College London, UK |
| 2007. 2008 |
Slade Project Award(s), Slade School of Fine Art, University College London, UK |
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Curated Projects |
| Forthcoming... |
Assistant Curator (Public Programs), John Cage - Everyday is a Good Day, Hayward Touring Show; BALTIC, Gateshead; Kettle’s Yard, Cambridge, Huddersfield Museum and Art Gallery, Hunterian Art Gallery,Glasgow and De La Warr Pavilion, Bexhill on Sea (2010 - 2011) |
| 2010 - Present |
Founding Editor, Turn Press, Publishers of Artists’ Books, London |
| 2010 |
Curator, with boyleANDshaw, The Scuttler, for Live Weekends, ICA, London |
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Curator, ‘Loops’, for Shall I Stay or Shall I Go?, Chelsea Space, London |
| 2009 |
Founding Editor, Soundbox; The Sound and Performance Archive of the Slade School of Fine Art, Online |
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Curator, The View from Here, Slade Research Centre and BBC Bush House, London |
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Curator, with Neil Luck, The Voice and Nothing More, Woburn Research Centre and Resonance 104.4 fm |
| 2008 |
Curator, with Neil Luck, Notations, Woburn Research Centre, London |
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Selected Bibliography |
| Forthcoming... |
Notes on a Return, Laing Art Gallery, October, Newcastle (2010) |
| 2010 |
Barbara Hodgson, ‘Cage Mix art has plenty to say’, The Journal, Newcastle, UK |
| 2009 |
David Whetstone, ‘Notes on a Return’, The Journal, Newcastle, UK |
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Interview with Jamie Wilkinson, BBC Radio Newcastle, (Broadcast August 2009) |
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Chandra Johnson, 'Sound Effects', Taos News, April, New Mexico, US |
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Interview with Stephanie Cotela Tanner, dazeddigital.com, February, Online |
| 2008 |
Marialaura Ghidini and Nadine Putz, Shot/Countershot, Chelsea College of Art, London |
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Kayleigh Dray, 'Notations 2008', London Student, Vol. 28, Issue 7, London |
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Selected Teaching |
| Forthcoming... |
Visiting Lecturer, MA Fine Art, University of Leeds, UK (November 2010) |
| 2010 |
Creative Practitioner, A New Direction (Creative Partnerships), London |
| 2009 - Present |
Visiting Lecturer, BA Fine Art, University of Leeds |
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Creative Practitioner, Royal Opera House (Creative Partnerships), Thames Gateway |
| 2008 - 2009 |
Visiting Lecturer, BA Fine Art, University College for the Creative Arts, Canterbury |
| 2008 |
Teaching Assistant, Widening Participation Scheme, Slade School of Fine Art, London |
| 2007 - 2008 |
Teaching Assistant, Foundation Course and Short Courses, Slade School of Fine Art, London |
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